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<title>Volumen 01 | Número 01</title>
<link>http://sedici.unlp.edu.ar:80/handle/10915/132358</link>
<description/>
<pubDate>Sat, 14 Nov 2026 03:45:50 GMT</pubDate>
<dc:date>2026-11-14T03:45:50Z</dc:date>
<item>
<title>Cosmovisiones / Cosmovisões  | Volumen 1  | Número 1</title>
<link>http://sedici.unlp.edu.ar:80/handle/10915/132376</link>
<description>Edicion de revista
VI Jornadas Interamericanas de Astronomía Cultural (Bolivia, 21 al 28 de octubre de 2018); Cosmovisiones / Cosmovisões; vol. 1, no. 1
Editorial&#13;
Problematizando el concepto de "observación astronómica". Reflexiones metodológicas a partir de la experiencia etnográfica entre los moqoit del Chaco &lt;b&gt;Alejandro Martín López&lt;/b&gt;  &#13;
Ciclos temporales y su relación con el cielo entre los tobas del oeste formoseño &lt;b&gt;Cecilia Paula Gómez&lt;/b&gt; &#13;
Cuando la ortodoxia no es lo más relevante: El paisaje de La Gomera y la orientación de sus iglesias &lt;b&gt;Adrián Di Paolo, Alejandro Gangui, Juan Antonio Belmonte, María Antonia Perera Betancort&lt;/b&gt; &#13;
Sol e lua na iconografia Tikuna &lt;b&gt;Priscila Faulhaber&lt;/b&gt; &#13;
La Pirámide de los Nichos en El Tajín: calendario, ritual, simbolismo mítico &lt;b&gt;Stanislaw Iwaniszewski&lt;/b&gt; &#13;
Constelações, enchentes, verões e invernos no Alto Rio Negro &lt;b&gt;Walmir Thomazi Cardoso&lt;/b&gt;
</description>
<pubDate>Fri, 01 May 2020 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://sedici.unlp.edu.ar:80/handle/10915/132376</guid>
<dc:date>2020-05-01T00:00:00Z</dc:date>
<dc:description>Editorial&#13;
Problematizando el concepto de "observación astronómica". Reflexiones metodológicas a partir de la experiencia etnográfica entre los moqoit del Chaco &lt;b&gt;Alejandro Martín López&lt;/b&gt;  &#13;
Ciclos temporales y su relación con el cielo entre los tobas del oeste formoseño &lt;b&gt;Cecilia Paula Gómez&lt;/b&gt; &#13;
Cuando la ortodoxia no es lo más relevante: El paisaje de La Gomera y la orientación de sus iglesias &lt;b&gt;Adrián Di Paolo, Alejandro Gangui, Juan Antonio Belmonte, María Antonia Perera Betancort&lt;/b&gt; &#13;
Sol e lua na iconografia Tikuna &lt;b&gt;Priscila Faulhaber&lt;/b&gt; &#13;
La Pirámide de los Nichos en El Tajín: calendario, ritual, simbolismo mítico &lt;b&gt;Stanislaw Iwaniszewski&lt;/b&gt; &#13;
Constelações, enchentes, verões e invernos no Alto Rio Negro &lt;b&gt;Walmir Thomazi Cardoso&lt;/b&gt;</dc:description>
</item>
<item>
<title>Constelações, enchentes, verões e invernos no Alto Rio Negro</title>
<link>http://sedici.unlp.edu.ar:80/handle/10915/132372</link>
<description>Articulo
Constelaciones, inundaciones, veranos e inviernos en el Alto Río Negro
VI Jornadas Interamericanas de Astronomía Cultural (Bolivia, 21 al 28 de octubre de 2018); Cosmovisiones / Cosmovisões; vol. 1, no. 1
No presente trabalho tratamos inicialmente do significado do emprego dos termos “verão” e “inverno” pelas comunidades do noroeste amazônico, em particular para os índios Tukano do médio rio Tiquié, na Amazônia brasileira. Os invernos geralmente estão relacionados com períodos úmidos e chuvas enquanto os verões se referem aos períodos mais secos. Os períodos úmidos, por sua vez, foram associados com constelações astronômicas dos Tukano e os períodos secos não apresentam relações diretas, aparentes, com as mesmas constelações. Pesquisas realizadas entre 2005 e 2008 por Agentes Indígenas de Manejo Ambiental (AIMAS), coordenadas pelo Instituto Socioambiental (ISA), comparadas com resultados de pesquisas resultantes de oficinas de Astronomia Cultural, entre os anos de 2005 e 2007, mostraram que os verões podem apresentar uma associação mais próxima com as constelações do que julgávamos inicialmente. Parte das implicações desses novos estudos aponta para adaptações nos conceitos tradicionais dos verões em função de flutuações das durações das enchentes.; Summer and winter are well-known concepts when we talk about seasons mainly in some climates around the world. In the Brazilian Amazon, winter and summer, mean respectively, humid and dry environmental behaviour. Based on these concepts the aim of present work is to make a comparison between two diferent kinds of research. One of them were developed by indigenous agents of environmental management (AIMAs – in Portuguese), which are a group of indigenous researchers led by anthropologists and technicians from the Instituto Socioambiental (ISA) for three different periods: 2005/2006; 2006/2007 and 2007/2008. The second study was my academical PhD on indigenous constellations and calendars developed primarily between 2005 and 2006. Partial conclusions points to adaptations in summers and winters to match calendar annual duration events.
</description>
<pubDate>Fri, 01 May 2020 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://sedici.unlp.edu.ar:80/handle/10915/132372</guid>
<dc:date>2020-05-01T00:00:00Z</dc:date>
<dc:description>No presente trabalho tratamos inicialmente do significado do emprego dos termos “verão” e “inverno” pelas comunidades do noroeste amazônico, em particular para os índios Tukano do médio rio Tiquié, na Amazônia brasileira. Os invernos geralmente estão relacionados com períodos úmidos e chuvas enquanto os verões se referem aos períodos mais secos. Os períodos úmidos, por sua vez, foram associados com constelações astronômicas dos Tukano e os períodos secos não apresentam relações diretas, aparentes, com as mesmas constelações. Pesquisas realizadas entre 2005 e 2008 por Agentes Indígenas de Manejo Ambiental (AIMAS), coordenadas pelo Instituto Socioambiental (ISA), comparadas com resultados de pesquisas resultantes de oficinas de Astronomia Cultural, entre os anos de 2005 e 2007, mostraram que os verões podem apresentar uma associação mais próxima com as constelações do que julgávamos inicialmente. Parte das implicações desses novos estudos aponta para adaptações nos conceitos tradicionais dos verões em função de flutuações das durações das enchentes.

Summer and winter are well-known concepts when we talk about seasons mainly in some climates around the world. In the Brazilian Amazon, winter and summer, mean respectively, humid and dry environmental behaviour. Based on these concepts the aim of present work is to make a comparison between two diferent kinds of research. One of them were developed by indigenous agents of environmental management (AIMAs – in Portuguese), which are a group of indigenous researchers led by anthropologists and technicians from the Instituto Socioambiental (ISA) for three different periods: 2005/2006; 2006/2007 and 2007/2008. The second study was my academical PhD on indigenous constellations and calendars developed primarily between 2005 and 2006. Partial conclusions points to adaptations in summers and winters to match calendar annual duration events.</dc:description>
</item>
<item>
<title>La Pirámide de los Nichos en El Tajín: calendario, ritual, simbolismo mítico</title>
<link>http://sedici.unlp.edu.ar:80/handle/10915/132370</link>
<description>Articulo
VI Jornadas Interamericanas de Astronomía Cultural (Bolivia, 21 al 28 de octubre de 2018); Cosmovisiones / Cosmovisões; vol. 1, no. 1
Hasta el momento, varios investigadores han analizado los alineamientos astronómicos de la Pirámide de los Nichos en El Tajín llegando a los resultados contradictorios. Sin embargo, las investigaciones recientes, determinaron que la pirámide está orientada hacia el sol naciente en los días 17 – 18 de marzo y 25-26 de septiembre y no el 4 de marzo y 9 de octubre como se difundió en publicaciones anteriores. Estos nuevos resultados de investigación cambian las ideas sobre el significado calendárico de los alineamientos astronómicos de la pirámide. En el artículo también se discute el efecto de “luz y sombra” proyectado sobre esta estructura en marzo. Finalmente, se discute brevemente la importancia de Cerro Escolin para la creación del skyscape en El Tajín.; So far, astronomical alignments of the Pyramid of the Niches at El Tajín have been analyzed by various scholars producing conflicting results. Recent research, however, determined the Pyramid is oriented towards the rising sun on March 17/18 and September 25 -26 and not on March 4 and October 9 as was diffused in previous publications. New results change traditional views on the calendrical meaning and significance of its alignments. The light-and-shadow March effect projected onto this structure is also discussed. Finally, the significance of Cerro Escolin for the creation of the skyscape at El Tajín is briefly discussed.
</description>
<pubDate>Fri, 01 May 2020 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://sedici.unlp.edu.ar:80/handle/10915/132370</guid>
<dc:date>2020-05-01T00:00:00Z</dc:date>
<dc:description>Hasta el momento, varios investigadores han analizado los alineamientos astronómicos de la Pirámide de los Nichos en El Tajín llegando a los resultados contradictorios. Sin embargo, las investigaciones recientes, determinaron que la pirámide está orientada hacia el sol naciente en los días 17 – 18 de marzo y 25-26 de septiembre y no el 4 de marzo y 9 de octubre como se difundió en publicaciones anteriores. Estos nuevos resultados de investigación cambian las ideas sobre el significado calendárico de los alineamientos astronómicos de la pirámide. En el artículo también se discute el efecto de “luz y sombra” proyectado sobre esta estructura en marzo. Finalmente, se discute brevemente la importancia de Cerro Escolin para la creación del skyscape en El Tajín.

So far, astronomical alignments of the Pyramid of the Niches at El Tajín have been analyzed by various scholars producing conflicting results. Recent research, however, determined the Pyramid is oriented towards the rising sun on March 17/18 and September 25 -26 and not on March 4 and October 9 as was diffused in previous publications. New results change traditional views on the calendrical meaning and significance of its alignments. The light-and-shadow March effect projected onto this structure is also discussed. Finally, the significance of Cerro Escolin for the creation of the skyscape at El Tajín is briefly discussed.</dc:description>
</item>
<item>
<title>Sol e lua na iconografia Tikuna</title>
<link>http://sedici.unlp.edu.ar:80/handle/10915/132367</link>
<description>Articulo
VI Jornadas Interamericanas de Astronomía Cultural (Bolivia, 21 al 28 de octubre de 2018); Cosmovisiones / Cosmovisões; vol. 1, no. 1
Com base em depoimentos Tikuna de comunidades brasileiras e colombianas, analiso a relação entre corpos celestes em desenhos feitos por esses índios, cujo entendimento é relacionado a narrativas associadas a práticas rituais. O exame antropológico dos testemunhos reside na interpretação desse tipo de iconografia com base na evidência de que realizam observação sistemática do céu com base nas suas concepções sobre as relações céu-terra. A contribuição de tais análises para a Astronomia Cultural consiste no fato que povos ainda existentes apresentam enunciados referentes a fenômenos astronômicos conforme variáveis culturais articuladas a relações sociais vigentes. Conforme tais narrativas expressas na iconografia Tikuna as estrelas já tiveram existência terrena e a ascensão dessas ao céu está quase sempre ligada a episódios nos quais foram definidos a procedência do povo, a organização social de relações de parentesco, determinadas funções e características femininas e masculinas, e a necessidade de cumprimento de certas prescrições rituais na Festa da Moça Nova. A análise estabelece relações entre o conhecimento transmitido à moça que é submetida ao ritual e o conhecimento adquirido em viagens mentais cuja descrição associa experiências vividas no mundo terreno, na atmosfera e no espaço celeste enquanto práticas mediadas pela historicidade da consciência humana. Estabelecem-se assim correlações entre a vida cotidiana e eventos extraordinários vividos na aquisição de conhecimento especializado. Entre as imagens que surgem na interpretação das relações céu-terra é predominante a oposição e complementaridade entre o Sol e a Lua, a noite e o dia, a claridade e a escuridão, que serve como metáfora para a aquisição de conhecimento.; Based on Tikuna testimonies in Brazilian and Colombian communities, I analyze the relationship between celestial bodies in depictions drawn by those Indians, whose understanding is correlated to narratives associated to ritual practices. The anthropological examination of the testimonies resides in the interpretation of this type of iconography based on the evidence that they accomplish systematic observation of the sky based on their conceptions about sky-earth relationships. The contribution of these analyses for the Cultural Astronomy consists in the fact that this people that is still alive present enunciations referring to astronomical phenomena according to cultural variables articulate to current social relationships. According to these narratives expressed in the Tikuna iconography, the stars have already had earthly existence and their ascension to the skies usually evocates previous events that defined the provenance of the people, the kinship social organization, determined functions and feminine and male characteristics and the obligation of obeying certain ritual prescription during the Young Gir1’s Festival. The analyses establish relationships between the transmitted knowledge to the girl submitted to the ritual and the knowledge acquired in mental trips whose description associates vivid experiences in the worldly world in the atmosphere and in the celestial space whereas practices mediated by the historicity of human awareness. The paper establishes correlations between day-to-day circumstances and extraordinary events lived in the acquisition of specialized knowledge. Between the images that appear in the interpretation of the earth-sky relationships overwhelms the opposition and complementarity between the Sun and the Mon, the night and the day, the clarity and the darkness that serves as a metaphor for the acquisition of knowledge.
</description>
<pubDate>Fri, 01 May 2020 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://sedici.unlp.edu.ar:80/handle/10915/132367</guid>
<dc:date>2020-05-01T00:00:00Z</dc:date>
<dc:description>Com base em depoimentos Tikuna de comunidades brasileiras e colombianas, analiso a relação entre corpos celestes em desenhos feitos por esses índios, cujo entendimento é relacionado a narrativas associadas a práticas rituais. O exame antropológico dos testemunhos reside na interpretação desse tipo de iconografia com base na evidência de que realizam observação sistemática do céu com base nas suas concepções sobre as relações céu-terra. A contribuição de tais análises para a Astronomia Cultural consiste no fato que povos ainda existentes apresentam enunciados referentes a fenômenos astronômicos conforme variáveis culturais articuladas a relações sociais vigentes. Conforme tais narrativas expressas na iconografia Tikuna as estrelas já tiveram existência terrena e a ascensão dessas ao céu está quase sempre ligada a episódios nos quais foram definidos a procedência do povo, a organização social de relações de parentesco, determinadas funções e características femininas e masculinas, e a necessidade de cumprimento de certas prescrições rituais na Festa da Moça Nova. A análise estabelece relações entre o conhecimento transmitido à moça que é submetida ao ritual e o conhecimento adquirido em viagens mentais cuja descrição associa experiências vividas no mundo terreno, na atmosfera e no espaço celeste enquanto práticas mediadas pela historicidade da consciência humana. Estabelecem-se assim correlações entre a vida cotidiana e eventos extraordinários vividos na aquisição de conhecimento especializado. Entre as imagens que surgem na interpretação das relações céu-terra é predominante a oposição e complementaridade entre o Sol e a Lua, a noite e o dia, a claridade e a escuridão, que serve como metáfora para a aquisição de conhecimento.

Based on Tikuna testimonies in Brazilian and Colombian communities, I analyze the relationship between celestial bodies in depictions drawn by those Indians, whose understanding is correlated to narratives associated to ritual practices. The anthropological examination of the testimonies resides in the interpretation of this type of iconography based on the evidence that they accomplish systematic observation of the sky based on their conceptions about sky-earth relationships. The contribution of these analyses for the Cultural Astronomy consists in the fact that this people that is still alive present enunciations referring to astronomical phenomena according to cultural variables articulate to current social relationships. According to these narratives expressed in the Tikuna iconography, the stars have already had earthly existence and their ascension to the skies usually evocates previous events that defined the provenance of the people, the kinship social organization, determined functions and feminine and male characteristics and the obligation of obeying certain ritual prescription during the Young Gir1’s Festival. The analyses establish relationships between the transmitted knowledge to the girl submitted to the ritual and the knowledge acquired in mental trips whose description associates vivid experiences in the worldly world in the atmosphere and in the celestial space whereas practices mediated by the historicity of human awareness. The paper establishes correlations between day-to-day circumstances and extraordinary events lived in the acquisition of specialized knowledge. Between the images that appear in the interpretation of the earth-sky relationships overwhelms the opposition and complementarity between the Sun and the Mon, the night and the day, the clarity and the darkness that serves as a metaphor for the acquisition of knowledge.</dc:description>
</item>
<item>
<title>Cuando la ortodoxia no es lo más relevante: el paisaje de La Gomera y la orientación de sus iglesias</title>
<link>http://sedici.unlp.edu.ar:80/handle/10915/132365</link>
<description>Articulo
VI Jornadas Interamericanas de Astronomía Cultural (Bolivia, 21 al 28 de octubre de 2018); Cosmovisiones / Cosmovisões; vol. 1, no. 1
Presentamos un estudio de la relación entre astronomía y paisaje centrado en la orientación de las iglesias y ermitas cristianas de la isla de La Gomera, situada en el Archipiélago Canario (España). El trabajo de campo consistió en la medición de las coordenadas precisas de ubicación de 38 iglesias y ermitas, lo que representa la casi totalidad de las construcciones religiosas de la isla, que cuenta con una superficie de aproximadamente 370 km². Para cada iglesia se midió, además, el acimut y la altura angular del horizonte, tomados en la dirección hacia donde apunta el altar de cada templo. Los datos así medidos fueron luego corroborados con modelos digitales de terreno de uso frecuente en estudios arqueoastronómicos. Finalmente, para el estudio de la muestra, se realizaron diversos análisis: estadístico, calendárico y orográfico, tratando de hallar indicios que permitieran comprender el patrón de orientaciones encontrado. A partir de este análisis, podemos afirmar que en algunos lugares de la isla se respetó la tradición canónica de orientar los templos cristianos en el rango solar. Asimismo, es posible que algunas pocas construcciones se orientasen con patrones de imitación del culto aborigen, especialmente en direcciones solsticiales. Sin embargo, encontramos que la orientación de la mayoría de las ermitas e iglesias es hacia el noreste y, a falta de una justificación mejor, pensamos que la razón debe buscarse más en el paisaje terrestre que en el celeste. A juzgar por la manera en la que se distribuyen varios pequeños grupos de templos -por ejemplo, aquellos ubicados en los barrancos de Hermigua y Valle Gran Rey-, estimamos que este poco habitual patrón global de orientaciones está motivado por la particular orografía de la isla. Una proporción importante de iglesias y ermitas parece adaptarse a los sitios particulares de sus emplazamientos, orientándose de acuerdo a los numerosos accidentes geográficos -en particular, sus profundos barrancos- donde están situadas. Estos resultados nos permiten conjeturar que la conocida “abrupta naturaleza” de La Gomera es quizá la principal causante del patrón particular de orientaciones de sus centros de culto.; We present a study of the relationship between astronomy and landscape centered on the orientation of Christian churches of the island of La Gomera, located in the Canary Archipelago (Spain). The fieldwork consisted of measuring the precise coordinates of 38 churches, which represents almost all of the island's religious constructions, which has an area of approximately 370 km². For each church, we measured the azimuth and the angular height of the horizon taken in the direction towards which the altar of each temple points. The data thus obtained were then corroborated with digital terrain models frequently used in archaeoastronomical studies. Finally, for the study of the sample, various analyzes were carried out: statistical, calendarical and orographic, trying to find clues that would allow us to understand the pattern of orientations found. From this analysis, we can infer that in some places on the island the canonical tradition of orienting Christian temples in the solar range was respected. Also, it is possible that a few constructions were oriented with imitation patterns of the aborigine cult, especially in solstitial directions. However, we find that the orientation of the majority of the churches is towards the northeast and, in the absence of a better justification, we think that reason should be sought more in the terrestrial landscape than in the celestial one. Judging by the way in which several small groups of temples are distributed -for example, those located in the ravines of Hermigua and Valle Gran Rey-, we estimate that this unusual pattern of global orientations is motivated by the particular orography of the island. A significant proportion of churches seems to adapt to the particular characteristics of their sites, orienting themselves according to the numerous geographical features -their deep ravines, in particular- where they are located. These results allow us to conjecture that the known "abrupt nature" of La Gomera is perhaps the main reason for the particular pattern of orientations of its worship sanctuaries.
</description>
<pubDate>Fri, 01 May 2020 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://sedici.unlp.edu.ar:80/handle/10915/132365</guid>
<dc:date>2020-05-01T00:00:00Z</dc:date>
<dc:description>Presentamos un estudio de la relación entre astronomía y paisaje centrado en la orientación de las iglesias y ermitas cristianas de la isla de La Gomera, situada en el Archipiélago Canario (España). El trabajo de campo consistió en la medición de las coordenadas precisas de ubicación de 38 iglesias y ermitas, lo que representa la casi totalidad de las construcciones religiosas de la isla, que cuenta con una superficie de aproximadamente 370 km². Para cada iglesia se midió, además, el acimut y la altura angular del horizonte, tomados en la dirección hacia donde apunta el altar de cada templo. Los datos así medidos fueron luego corroborados con modelos digitales de terreno de uso frecuente en estudios arqueoastronómicos. Finalmente, para el estudio de la muestra, se realizaron diversos análisis: estadístico, calendárico y orográfico, tratando de hallar indicios que permitieran comprender el patrón de orientaciones encontrado. A partir de este análisis, podemos afirmar que en algunos lugares de la isla se respetó la tradición canónica de orientar los templos cristianos en el rango solar. Asimismo, es posible que algunas pocas construcciones se orientasen con patrones de imitación del culto aborigen, especialmente en direcciones solsticiales. Sin embargo, encontramos que la orientación de la mayoría de las ermitas e iglesias es hacia el noreste y, a falta de una justificación mejor, pensamos que la razón debe buscarse más en el paisaje terrestre que en el celeste. A juzgar por la manera en la que se distribuyen varios pequeños grupos de templos -por ejemplo, aquellos ubicados en los barrancos de Hermigua y Valle Gran Rey-, estimamos que este poco habitual patrón global de orientaciones está motivado por la particular orografía de la isla. Una proporción importante de iglesias y ermitas parece adaptarse a los sitios particulares de sus emplazamientos, orientándose de acuerdo a los numerosos accidentes geográficos -en particular, sus profundos barrancos- donde están situadas. Estos resultados nos permiten conjeturar que la conocida “abrupta naturaleza” de La Gomera es quizá la principal causante del patrón particular de orientaciones de sus centros de culto.

We present a study of the relationship between astronomy and landscape centered on the orientation of Christian churches of the island of La Gomera, located in the Canary Archipelago (Spain). The fieldwork consisted of measuring the precise coordinates of 38 churches, which represents almost all of the island's religious constructions, which has an area of approximately 370 km². For each church, we measured the azimuth and the angular height of the horizon taken in the direction towards which the altar of each temple points. The data thus obtained were then corroborated with digital terrain models frequently used in archaeoastronomical studies. Finally, for the study of the sample, various analyzes were carried out: statistical, calendarical and orographic, trying to find clues that would allow us to understand the pattern of orientations found. From this analysis, we can infer that in some places on the island the canonical tradition of orienting Christian temples in the solar range was respected. Also, it is possible that a few constructions were oriented with imitation patterns of the aborigine cult, especially in solstitial directions. However, we find that the orientation of the majority of the churches is towards the northeast and, in the absence of a better justification, we think that reason should be sought more in the terrestrial landscape than in the celestial one. Judging by the way in which several small groups of temples are distributed -for example, those located in the ravines of Hermigua and Valle Gran Rey-, we estimate that this unusual pattern of global orientations is motivated by the particular orography of the island. A significant proportion of churches seems to adapt to the particular characteristics of their sites, orienting themselves according to the numerous geographical features -their deep ravines, in particular- where they are located. These results allow us to conjecture that the known "abrupt nature" of La Gomera is perhaps the main reason for the particular pattern of orientations of its worship sanctuaries.</dc:description>
</item>
<item>
<title>Ciclos temporales y su relación con el cielo entre los tobas del oeste formoseño</title>
<link>http://sedici.unlp.edu.ar:80/handle/10915/132363</link>
<description>Articulo
Time cycles and their relationship with the sky among the Toba of Western Formosa
VI Jornadas Interamericanas de Astronomía Cultural (Bolivia, 21 al 28 de octubre de 2018); Cosmovisiones / Cosmovisões; vol. 1, no. 1
A partir de una mirada que tiene como eje a la etnografía, proponemos un trabajo que se engloba dentro del campo de la astronomía cultural, centrando el análisis en los tobas que habitan el Pilcomayo medio. En este artículo trabajaremos sobre las formas en las que se da cuenta del transcurso de diversos ciclos temporales entre los tobas del oeste formoseño. Para indagar sobre estos lapsos se toman en cuenta sobre todo las lecturas que se hacen del cielo, pero también se señalan diversos fenómenos del entorno como los cambios climáticos y las señales producidas por animales (los cantos o sonidos que producen algunos de ellos). Por lo tanto, puntualmente, en este trabajo se hará referencia a: las estrellas en general, el Cinturón de Orión, Las Pléyades, Venus, la luna y el sol.; From an ethnographic point of view we propose a work that is encompassed within the field of cultural astronomy, focusing on the Tobas who inhabit the middle Pilcomayo. In this article, we will be researching about the ways in which different time cycles have been reported to elapse for the Tobas in Western Formosa.&#13;
For our research into these periods, we consider first of all the interpretations made about the sky, but also various environmental signals, like climate changes, and signs given by animals (their singing or sounds made by some of them).&#13;
Therefore, in this work specifically, we will refer to: the stars in general, Orion’s Belt, the Pleiades, Venus, the Moon and the Sun.
</description>
<pubDate>Fri, 01 May 2020 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://sedici.unlp.edu.ar:80/handle/10915/132363</guid>
<dc:date>2020-05-01T00:00:00Z</dc:date>
<dc:description>A partir de una mirada que tiene como eje a la etnografía, proponemos un trabajo que se engloba dentro del campo de la astronomía cultural, centrando el análisis en los tobas que habitan el Pilcomayo medio. En este artículo trabajaremos sobre las formas en las que se da cuenta del transcurso de diversos ciclos temporales entre los tobas del oeste formoseño. Para indagar sobre estos lapsos se toman en cuenta sobre todo las lecturas que se hacen del cielo, pero también se señalan diversos fenómenos del entorno como los cambios climáticos y las señales producidas por animales (los cantos o sonidos que producen algunos de ellos). Por lo tanto, puntualmente, en este trabajo se hará referencia a: las estrellas en general, el Cinturón de Orión, Las Pléyades, Venus, la luna y el sol.

From an ethnographic point of view we propose a work that is encompassed within the field of cultural astronomy, focusing on the Tobas who inhabit the middle Pilcomayo. In this article, we will be researching about the ways in which different time cycles have been reported to elapse for the Tobas in Western Formosa.&#13;
For our research into these periods, we consider first of all the interpretations made about the sky, but also various environmental signals, like climate changes, and signs given by animals (their singing or sounds made by some of them).&#13;
Therefore, in this work specifically, we will refer to: the stars in general, Orion’s Belt, the Pleiades, Venus, the Moon and the Sun.</dc:description>
</item>
<item>
<title>Problematizando el concepto de “observación astronómica”: Reflexiones metodológicas a partir de la experiencia etnográfica entre los moqoit del Chaco</title>
<link>http://sedici.unlp.edu.ar:80/handle/10915/132360</link>
<description>Articulo
VI Jornadas Interamericanas de Astronomía Cultural (Bolivia, 21 al 28 de octubre de 2018); Cosmovisiones / Cosmovisões; vol. 1, no. 1
El presente trabajo analiza, a partir del ejemplo de los moqoit del Chaco argentino, los recaudos metodológicos que deben tomarse a la hora de utilizar el concepto de “observación astronómica” al abordar diversos contextos socio-culturales. El sentido común de la astronomía académica suele dar por sentado el marco de significados que hace posible la experiencia directa del cielo y lo vincula automáticamente a la “observación” de “fenómenos” y “objetos”. Nuestro trabajo muestra cómo, para problematizar este posicionamiento, es necesaria una indagación etnográfica de cuestiones tan fundamentales como ¿cuándo y desde donde se experimenta el cielo? ¿qué sentidos intervienen en dicha experiencia? ¿qué es la noche? ¿cuál es el vínculo entre sueño y vigilia? A partir de trabajo de campo etnográfico, de etnografías previas y del uso de fuentes documentales, analizamos estos interrogantes para el caso moqoit, elaborando a partir de ello reflexiones metodológicas generales para el trabajo en el campo de la astronomía cultural.; The present paper analyzes, from the example of the moqoit of the Argentine Chaco, the methodological precautions that must be taken at the time of using the concept of "astronomical observation" when dealing with diverse socio-cultural contexts. The common sense of academic astronomy often takes for granted the framework of meaning that makes direct experience of sky possible and links it directly to the "observation" of "phenomena" and "objects." Our work shows that it is necessary, in order to problematize this usual assumptions, an ethnographic investigation of fundamental questions such as: when and from where the sky is experienced? What senses intervene in this experience? What is night? What is the link between dreams and wakefulness? From ethnographic field work, previous ethnographies and the use of documentary sources, we analyze these questions for the moqoit case, elaborating general methodological reflections for work in the field of cultural astronomy.
</description>
<pubDate>Fri, 01 May 2020 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://sedici.unlp.edu.ar:80/handle/10915/132360</guid>
<dc:date>2020-05-01T00:00:00Z</dc:date>
<dc:description>El presente trabajo analiza, a partir del ejemplo de los moqoit del Chaco argentino, los recaudos metodológicos que deben tomarse a la hora de utilizar el concepto de “observación astronómica” al abordar diversos contextos socio-culturales. El sentido común de la astronomía académica suele dar por sentado el marco de significados que hace posible la experiencia directa del cielo y lo vincula automáticamente a la “observación” de “fenómenos” y “objetos”. Nuestro trabajo muestra cómo, para problematizar este posicionamiento, es necesaria una indagación etnográfica de cuestiones tan fundamentales como ¿cuándo y desde donde se experimenta el cielo? ¿qué sentidos intervienen en dicha experiencia? ¿qué es la noche? ¿cuál es el vínculo entre sueño y vigilia? A partir de trabajo de campo etnográfico, de etnografías previas y del uso de fuentes documentales, analizamos estos interrogantes para el caso moqoit, elaborando a partir de ello reflexiones metodológicas generales para el trabajo en el campo de la astronomía cultural.

The present paper analyzes, from the example of the moqoit of the Argentine Chaco, the methodological precautions that must be taken at the time of using the concept of "astronomical observation" when dealing with diverse socio-cultural contexts. The common sense of academic astronomy often takes for granted the framework of meaning that makes direct experience of sky possible and links it directly to the "observation" of "phenomena" and "objects." Our work shows that it is necessary, in order to problematize this usual assumptions, an ethnographic investigation of fundamental questions such as: when and from where the sky is experienced? What senses intervene in this experience? What is night? What is the link between dreams and wakefulness? From ethnographic field work, previous ethnographies and the use of documentary sources, we analyze these questions for the moqoit case, elaborating general methodological reflections for work in the field of cultural astronomy.</dc:description>
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