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dc.date.accessioned | 2020-11-25T16:06:33Z | |
dc.date.available | 2020-11-25T16:06:33Z | |
dc.date.issued | 2020-06 | |
dc.identifier.uri | http://sedici.unlp.edu.ar/handle/10915/109791 | |
dc.description.abstract | Neste artigo, apresento a escansão e uma análise preliminar da entrada do coro em cena na peça As Suplicantes de Ésquilo. O objetivo é providenciar material para estudos que levem em conta a relação entre texto, métrica e performance na interpretação de obras da dramaturgia ateniense antiga. | pt |
dc.description.abstract | In this paper, I present the scansion and a preliminary analysis of the entrance of the choir in the scene in Aeschylus’ The Supplices. The aim is to provide material for studies that take into account the relationship between text, metrics, and performance in the interpretation of works of ancient Athenian dramaturgy. | en |
dc.language | pt | es |
dc.subject | Ésquilo | es |
dc.subject | Dramaturgia | es |
dc.subject | Métrica | es |
dc.subject | Coro | es |
dc.title | Ritmos em Performance: Análise métrica do Párodo de As Suplicantes de Ésquilo | pt |
dc.title.alternative | Rhythms in Performance: Metrical analysis of Aeschylus’ Suppliants: the parodos | en |
dc.type | Articulo | es |
sedici.identifier.other | https://doi.org/10.24215/1851779Xe074 | es |
sedici.identifier.issn | 1851-779X | es |
sedici.creator.person | Mota, Marcus | es |
sedici.subject.materias | Letras | es |
sedici.description.fulltext | true | es |
mods.originInfo.place | Facultad de Humanidades y Ciencias de la Educación | es |
sedici.subtype | Articulo | es |
sedici.rights.license | Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) | |
sedici.rights.uri | http://creativecommons.org/licenses/by-nc-sa/4.0/ | |
sedici.description.peerReview | peer-review | es |
sedici.relation.journalTitle | Synthesis | es |
sedici.relation.journalVolumeAndIssue | vol. 27, no. 1 | es |
mods.recordInfo.recordContentSource | Revistas de la FAHCE | es |