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dc.date.accessioned 2022-05-27T16:38:22Z
dc.date.available 2022-05-27T16:38:22Z
dc.identifier.uri http://sedici.unlp.edu.ar/handle/10915/136939
dc.description.abstract Background: DJing is a performance where a DJ plays pre-made electronic dance music’s tracks (EDM) for a dancing crowd during a party. DJs claim they read the crowd in order to play music (Broughton & Brewster, 2002), making DJ-audience interaction very relevant to DJing. The active participation of the crowd that the party requires makes a difference from other performer-audience situations. We think that this could be a case of Second Person Interaction, whose main features involve face-to-face exchanges, direct perception of mental states in others’ body expressions, psychological attributions, changes in both mental states and reciprocal actions (Pérez & Gomila, 2021). Both the musical performance and the one-to-many interaction’s features involved in DJing has not yet been fully described from a second-person perspective. Aims: The research aimed to describe DJ-crowd interaction from the DJ’s perspective, identify its second person features, and analyze the impact of this interaction on music. en
dc.language en es
dc.subject Electronic dance music es
dc.subject DJ es
dc.subject second person interaction es
dc.subject Performance es
dc.subject audience es
dc.title DJing & Reading the Crowd in an EDM Context from a Second Person Perspective en
dc.type Objeto de conferencia es
sedici.creator.person Marchiano, María es
sedici.creator.person Tanco, Matías Germán es
sedici.subject.materias Música es
sedici.description.fulltext true es
mods.originInfo.place Laboratorio para el Estudio de la Experiencia Musical es
sedici.subtype Resumen es
sedici.rights.license Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
sedici.rights.uri http://creativecommons.org/licenses/by-nc-sa/4.0/
sedici.date.exposure 2021-07-28
sedici.relation.event 16th International Conference on Music Perception and Cognition & 11th Triennial Conference of the European Society for the Cognitive Sciences of Music (Modalidad virtual, 28 al 31 de julio de 2021) es


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Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) Excepto donde se diga explícitamente, este item se publica bajo la siguiente licencia Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)