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dc.date.accessioned 2022-12-02T16:52:27Z
dc.date.available 2022-12-02T16:52:27Z
dc.date.issued 2015-04
dc.identifier.uri http://sedici.unlp.edu.ar/handle/10915/146790
dc.description.abstract Two experiments investigated the role of pitch-related information in tonality induction. In both experiments, participants were asked to: 1) identify (sing) the tonic of either an original sequence of tones or a distorted version in which pitch class distribution was preserved but pitch class ordering, pitch contour, and/or pitch proximity were altered; and 2) rate how confident they were in the tonic they identified. In Experiment 2, the sequences were presented with an isochronous rhythm, in order to eliminate the potential confounding effects of time-related information. The results of both experiments showed that participants’ ability to identify the tonic of the sequences, as well as their confidence in the tonic they identified, decreased when pitch class ordering was distorted, and also when pitch proximity was reduced. This suggests that tonality induction not only involves the identification of abstract pitch class structures, but it also acts as a pattern-matching process. en
dc.format.extent 413-433 es
dc.language en es
dc.subject pitch class distribution es
dc.subject interval class vector es
dc.subject pitch class ordering es
dc.subject pitch contour es
dc.subject pitch proximity es
dc.title Pitch: a key factor in tonality induction en
dc.type Articulo es
sedici.identifier.other https://doi.org/10.1525/mp.2015.32.4.413 es
sedici.identifier.issn 0730-7829 es
sedici.identifier.issn 1533-8312 es
sedici.creator.person Anta, Juan Fernando es
sedici.subject.materias Música es
sedici.description.fulltext true es
mods.originInfo.place Facultad de Artes es
sedici.subtype Articulo es
sedici.rights.license Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
sedici.rights.uri http://creativecommons.org/licenses/by-nc-sa/4.0/
sedici.description.peerReview peer-review es
sedici.relation.journalTitle Music Perception es
sedici.relation.journalVolumeAndIssue vol. 32, no. 4 es


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Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) Excepto donde se diga explícitamente, este item se publica bajo la siguiente licencia Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)