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dc.date.accessioned 2018-11-01T14:02:03Z
dc.date.available 2018-11-01T14:02:03Z
dc.date.issued 2015
dc.identifier.uri http://sedici.unlp.edu.ar/handle/10915/70418
dc.description.abstract The process of retrieving meaningful information from rhythmic responses to music imposes several methodological challenges. For one side, the indivisible connection between body actions and the musical action confines the musical phenomenon in a closed cycle of action and perception. For another side, attempts to examine internalized rhythm descriptions always require body movements, which are the natural medium for musical actions. In this study, we propose strategies that are capable of retrieving emergent rhythmic and metrical structures encoded in free movements, which are less constrained by experimental designs and less dependent on previous assumptions. The first technique processes zero-crossing events across velocity patterns in order to estimate the changes of directions across metric levels. The second technique uses local accumulation of instantaneous velocity in order to describe the profiles of metric engagement abstracted from the morphology of the movement trajectories. The techniques help to trace comparisons and build representations of metrical structures. The paper discusses the possibilities and new perspectives of the methods by looking at two case studies with different analyses of movement responses to Argentinian chacarera and Afro-Brazilian samba music. en
dc.format.extent 248-262 es
dc.language en es
dc.subject movement analysis en
dc.subject rhythm en
dc.subject meter en
dc.subject embodiment en
dc.title Methods for the analysis of rhythmic and metrical responses to music in free movement trajectories en
dc.type Objeto de conferencia es
sedici.identifier.issn 1159-0947 es
sedici.identifier.isbn 978-2-909669-24-3 es
sedici.creator.person Naveda, Luiz es
sedici.creator.person Martínez, Isabel Cecilia es
sedici.creator.person Damesón, Javier es
sedici.creator.person Pereira Ghiena, Alejandro es
sedici.creator.person Herrera, Romina es
sedici.creator.person Ordás, Manuel Alejandro es
sedici.description.note Trabajo publicado en M. Aramaki, R. Kronland-Martinet, S. Ystad (eds.) (2015). Music, Mind, and Embodiment. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR). Marseille: The Laboratory of Mechanics and Acoustics. es
sedici.subject.materias Música es
sedici.description.fulltext true es
mods.originInfo.place Facultad de Bellas Artes es
sedici.subtype Objeto de conferencia es
sedici.rights.license Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
sedici.rights.uri http://creativecommons.org/licenses/by-nc-nd/4.0/
sedici.date.exposure 2015-06
sedici.relation.event 11th International Symposium on Computer Music Multidisciplinary Research (CMMR2015) (Plymouth, UK, 16-19 June, 2015) es
sedici.description.peerReview peer-review es


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Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) Excepto donde se diga explícitamente, este item se publica bajo la siguiente licencia Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)