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dc.date.accessioned 2018-11-01T16:32:23Z
dc.date.available 2018-11-01T16:32:23Z
dc.date.issued 2015
dc.identifier.uri http://sedici.unlp.edu.ar/handle/10915/70430
dc.description.abstract From all hidden assumptions behind the models of musical meter and rhythm, the notion that all individuals understand the periodic structure of music in the same way might be the most intractable and risky one. A number of evidences show that musical cultures differ in a number of aspects including cognitive priorities, musical function and relationships between music, movement and dance. From the methodological point of view, it is very difficult to describe the understanding of rhythm structures: tapping methods are limiting and biased, surveys can be too subjective and analyses of performances are ambiguous and multivariate. From the point of view of culture, cultural preferences may be subtle and comparisons between contrasting cultures might be unreliable. In this study we realize cross-cultural comparisons between free movement responses to musical cultures of samba and chacarera music, executed by Brazilian and Argentinian acculturated subjects. We use methods that track the density of kinematic events in the metrical grid at each level of the metrical structure. The results contrast to traditional models of metric structure by exposing an intrinsic diversity, variability and asymmetry of movement responses. The results also show morphological characteristics connected to cultural differences. en
dc.format.extent 146-162 es
dc.language en es
dc.subject cross-cultural en
dc.subject movement en
dc.subject rhythm en
dc.subject meter en
dc.subject embodiment en
dc.title Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music en
dc.type Objeto de conferencia es
sedici.identifier.issn 1159-0947 es
sedici.identifier.isbn 978-2-909669-24-3 es
sedici.creator.person Naveda, Luiz es
sedici.creator.person Martínez, Isabel Cecilia es
sedici.creator.person Damesón, Javier es
sedici.creator.person Pereira Ghiena, Alejandro es
sedici.creator.person Herrera, Romina es
sedici.creator.person Ordás, Manuel Alejandro es
sedici.description.note Trabajo publicado en M. Aramaki, R. Kronland-Martinet, S. Ystad (eds.) (2015). Music, Mind, and Embodiment. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR). Marseille: The Laboratory of Mechanics and Acoustics. es
sedici.subject.materias Música es
sedici.description.fulltext true es
mods.originInfo.place Facultad de Bellas Artes es
sedici.subtype Objeto de conferencia es
sedici.rights.license Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
sedici.rights.uri http://creativecommons.org/licenses/by-nc-nd/4.0/
sedici.date.exposure 2015-06
sedici.relation.event 11th International Symposium on Computer Music Multidisciplinary Research (CMMR2015) (Plymouth, UK, 16-19 June, 2015) es
sedici.description.peerReview peer-review es


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Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) Except where otherwise noted, this item's license is described as Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)