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dc.date.accessioned 2019-05-02T17:45:41Z
dc.date.available 2019-05-02T17:45:41Z
dc.date.issued 2018-12
dc.identifier.uri http://sedici.unlp.edu.ar/handle/10915/74718
dc.description.abstract Se suele considerar natural que el estudio de la polifonía constituya una parte central de la formación musical. Este supuesto, que encierra un mecanismo altamente sofisticado de dominación cultural, cala en la enseñanza musical en todos los niveles, en la investigación y en la práctica. La sofisticación del compositor, sujeto privilegiado de la historiografía tradicional de la música, depende de cuánto y cuán bien domine el lenguaje polifónico, sus procedimientos esquematizados y la especulación analítica. La historia de la música puede encontrar en el estudio de fuentes alternativas a la partitura, registros de prácticas que re ordenen el relato hegemónico. es
dc.description.abstract It is usually considered natural that the study of polyphony is a central part of the musical formation. This assumption, which contains a highly sophisticated mechanism of cultural domination, digs into music education at all levels, both in research and in practice. The quality of the composer, privileged subject in the traditional historiography of music, depends on how much and how well he or she dominates the polyphonic language, its schematized procedures and analytical speculation. The history of music can find in the study of sources alternatives to the score, records of practices that reorder the hegemonic narrative. en
dc.language es es
dc.subject historiografía musical es
dc.subject música popular es
dc.subject polifonía es
dc.subject fuentes históricas es
dc.subject musical historiography en
dc.subject popular music en
dc.subject poliphony en
dc.subject primary sources en
dc.title Siempre fuimos el otro es
dc.title.alternative We Have Always Been the Other: Racialism, Polyphony and History of Music es
dc.type Articulo es
sedici.identifier.other https://doi.org/10.24215/25249215e002
sedici.identifier.issn 2524-9215 es
sedici.title.subtitle Racialización, polifonía e historia de la música es
sedici.creator.person Zucherino, Leticia es
sedici.creator.person Dalponte, Guido es
sedici.subject.materias Bellas Artes es
sedici.subject.materias Música es
sedici.description.fulltext true es
mods.originInfo.place Facultad de Bellas Artes es
sedici.subtype Articulo es
sedici.rights.license Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
sedici.rights.uri http://creativecommons.org/licenses/by-nc-nd/4.0/
sedici.description.peerReview peer-review es
sedici.relation.journalTitle Clang es
sedici.relation.journalVolumeAndIssue no. 5 es


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Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) Except where otherwise noted, this item's license is described as Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)